Bhanja Mandap on a Saturday evening, when the township theatre authorities had a fresh release running, was as close as Sunabeda came to a proper Tamil village sabha. The theatre owed the community nothing beyond a screen and a projector, but the township's Tamil families had long ago appropriated the evening for their own purposes, arriving as if summoned. Families arrived early, not for the film so much as for the hour before it — the aunties comparing the season's mango pickle, the uncles arguing cordially about the previous month's cricket score, the children conscripted into standing still while somebody's mother adjusted somebody else's collar. It was the one evening in the month when the township's scattered Tamil households, otherwise thinly distributed across sectors and shifts, gathered themselves into something resembling a community.
Word of what was showing travelled by a method that owed nothing to posters or the newspaper's film page. The township market, and one or two other vantage points besides, had wooden boards on which old newspapers were pasted layer upon layer, and on these some anonymous municipal hand announced each week's attraction in dark blue ink — a dye of uncertain origin, mixed locally, that bled faintly into the newsprint and gave every title the slightly haunted look of something written underwater. The board offered only the name of the film, nothing more, rendered in a transliteration that owed rather more to enthusiasm than to orthography. That week, at the market, it read: RAJA RAJA COZEN. Ambi had stood before it for a full minute on his way back from an errand, turning the word over, unable to work out how a perfectly respectable Chola emperor had been quietly naturalised, by the sheer accident of English spelling, into somebody's cousin.
Ambi, twelve years old and freshly conscious of his own opinions, worked the crowd the way a much older man might work a wedding reception — scanning faces, cataloguing who had come, who hadn't, and above all, whether anyone his own age had turned up worth the trouble of talking to. This particular evening, the returns were poor. The LKG Teachers' boy was down with mumps. The twins from Q-type quarters had gone to their grandmother's for the holidays. Iyengar Dilip was nowhere to be seen. Ambi was beginning to resign himself to an evening of adult conversation — a fate he considered only marginally better than school — when he saw her.
She was standing a little apart from the main knot of people, next to a man Ambi didn't recognise, in a canary yellow pavadai that caught what little light the entrance offered, and she was, unmistakably, his age. Ambi had in fact seen her once before — at the previous week's Sangam meeting, a duller affair involving someone's lecture on Carnatic music appreciation, where she had sat two rows ahead of him and he had spent forty minutes memorising the back of her head rather than the lecture. He had not, on that occasion, managed to speak to her. He was not going to repeat the omission tonight.
He walked up with the swagger of a boy who had rehearsed nothing and was about to discover the cost of that. "I've seen you before," he announced, which is not, strictly, an opening line so much as an accusation. The girl — who would turn out to be called Nandini — regarded him with the polite, unhurried wariness of someone who has been raised to be civil to strangers without being encouraged by them. She said very little. Ambi, undeterred, or perhaps simply unaware that he ought to have been deterred, tried a second approach and a third, each greeted with the same composed silence, until it became clear even to a twelve-year-old that a direct assault on Nandini was not going to succeed.
So he did what any resourceful boy does when the front door won't open: he tried the side entrance. He turned to the man standing beside her, and, with the particular gravity boys reserve for showing off in front of girls, asked, "Sir, is it true this temple in the film has stood since Rajaraja Chola's time, without so much as a crack, for nearly a thousand years?"
The man, who turned out to be Nandini's father, looked faintly startled to be addressed with such confidence by a boy roughly the height of his own hip. "You know about Rajaraja Chola?" he said, one eyebrow travelling upward.
"My father tells me everything," Ambi said, with the modesty of a boy who has decided modesty is unnecessary. "He has the book. Ponniyin Selvan. By Kalki."
"Is that so." The man's amusement was giving way, visibly, to something closer to interest. "And which do you think is the greater temple — the one at Thanjavur, or the one his son built afterwards, at Gangaikondacholapuram?"
Ambi, who had opinions on this exact question and had been waiting his entire short life for someone to ask it, did not hesitate. "Thanjavur is older, so it should get the respect. But my father says Gangaikondacholapuram has a softer stone, so the carvings came out better." He paused, weighing the matter with visible seriousness. "I have not decided yet. It is a difficult question."
The man laughed outright at that — not unkindly — and answered generously, warming to a subject he clearly enjoyed, and within a few exchanges Ambi was holding forth on how the two temples compared, each side of the argument delivered with the settled authority of a boy who had never once been required to defend it before a sceptical audience. This last fact he had off Raman, who — cornered often enough by his son's relentless questioning on all matters historical — had taken to supplying him, unprompted, with entire chapters of Chola history, largely lifted from his own well-thumbed copy of Kalki's Ponniyin Selvan, which sat on the shelf at home like a family heirloom nobody was quite permitted to touch without permission.
It was at this point that Nandini, who had been standing to one side with the air of someone enduring adult conversation, found herself listening. And then, to Ambi's very great satisfaction, joining in — first with a question, then with an observation, then with something close to enthusiasm. Raman, who had drifted over from the main knot of families in search of his son and arrived just in time to hear Ponniyin Selvan being invoked, could not resist joining in himself, supplying a few episodes of the serial that neither Ambi nor Dasarathan had between them — the poison-tipped arrow, the fire at the temple, Kundavai's fierce and complicated loyalty to her brother — until the four of them, father, son, Dasarathan and daughter, stood discussing Ponniyin Selvan's prophecies and Arulmozhivarman's destiny as though they had known each other for years. Ambi, watching Nandini's face change from polite indifference to genuine interest, arrived — with the total, unexamined certainty available only to twelve-year-olds and poets — at a conclusion he did not trouble to question: God had made Nandini for Ambi. There was, as far as he was concerned, no further evidence required.
The lights dimmed and the families dispersed to their seats, sector by sector, in the loosely enforced but universally understood hierarchy of who sat where at such a screening. Ambi lost Nandini in the general shuffle and spent the newsreel and the first ten minutes of the film twisting around in his seat, ostensibly to wave at an uncle, in fact conducting a methodical survey of the hall. He found her eventually — right at the back, in the corner of the topmost row, a small patch of canary yellow against the dark, her face lit every few seconds by the flicker off the screen. It was, from where Ambi sat, an impossible distance to close. He tried, twice, inventing errands that took him up the side aisle — a forgotten handkerchief, a sudden and wholly fictional need to find the water tap — but each time some obstacle presented itself: an aunty blocking the aisle, an usher with a torch, his own mother's hand closing firmly around his wrist the second time, on the reasonable suspicion that a boy who needed the water tap twice in fifteen minutes was up to something.
He gave it up, eventually, and let the film run its course — the Chola armadas, the temple, Sivaji Ganesan's magnificent scowl — without retaining a great deal of it, because a part of his attention remained fixed, for the rest of the evening, on a small yellow shape in the top corner of the hall. When the lights came up and the families began the long process of finding their chappals and their children, Ambi looked for her once more and did not find her — swallowed up, along with her father, into the general exodus. He walked home behind Raman and Chella that night carrying nothing more substantial than a face, a voice he had barely heard, and the memory of a canary yellow pavadai — which, for a twelve-year-old freshly convinced of divine intervention, was quite enough to be going on with.
❈
It did not fade. A fortnight came and went, and if anything Nandini's face had grown more vivid in Ambi's memory rather than less, in the manner of things that are handled often and carefully in the mind. He turned the matter over so persistently that Raman eventually noticed the particular, unfocused look his son had taken to wearing — the look of a boy doing complicated sums that had nothing to do with arithmetic — and asked him what the matter was.
Ambi, who had never in his short life shown the slightest instinct for concealment, told him outright. He wanted to know about the girl from the cinema screening, the one with the father who knew all about the Cholas.
Raman did not need to search his memory for this one; he supplied it at once. He had, after all, been introduced to the man himself that same evening at Bhanja Mandap, before the film began — the two fathers exchanging the usual pleasantries a little apart, while their children conducted a rather more consequential negotiation of their own nearby. The family were not residents of the township, Raman said; they had come across as guests of somebody's relative. The father was one Mr Dasarathan, a senior government officer posted at the district headquarters in Koraput. Not Sunabeda. Koraput.
Ambi absorbed this piece of geography the way a general absorbs the location of an objective.
❈
The plan, when it arrived, arrived with the complete, unshakeable confidence of a twelve-year-old who has never once had to account for consequences. Raman was away for a couple of days on an official commitment — this Ambi correctly identified as an opportunity rather than an obstacle — and the coming weekend was a holiday. He told Chella, with a straight face that would have done credit to a much older and more practised liar, that he was going out on a picnic with his friends and would be back by evening. Chella, who had no particular reason to doubt him and every reason to be glad of an hour's peace, packed him off with a small tin of idlis for the road and thought no further about it.
What she did not know — what nobody in the household knew — was that the "friends" did not exist, the "picnic" was a fiction, and the vehicle for this entirely solo expedition was to be Raman's own bicycle, borrowed for the day on the reasonable calculation that at twelve he could finally manage the reach and the road without disgracing himself.
He set off a little after ten in the morning, freewheeling past the Factory Manager Mr Madekar's bungalow with the particular sense of occasion a boy feels when he is up to something the Factory Manager himself would certainly not sanction, on down to NAC and Township 1, past the MIG factory and Chikapara, and across the timber bridge that spanned the Kolab — a stretch he covered in the manner of a boy who has correctly identified that he is doing something forbidden and glorious. He rehearsed, as he rode, the speech he intended to deliver to Nandini upon arrival — several versions of it, each more eloquent than the last, none of which would survive first contact with an actual audience, though Ambi could not have been expected to know this yet. He pictured himself received, admired, perhaps invited to stay for a meal. He did not picture, at any point in this extensive rehearsal, a security guard.
Soon he was out of the township altogether, freewheeling past Dhumriput — a village that would, within a few years, disappear under the Kolab's rising waters, though on this particular morning it was still very much above ground and entirely unconcerned with Ambi's errand — and up onto the Jeypore–Vizianagaram highway proper, where the traffic thinned and the gradients began in earnest. Undulations that had looked, on no map Ambi had consulted because he had consulted none, considerably flatter than they turned out to be in practice, now presented themselves one after another. He puffed. He panted. He got off and pushed on the steeper stretches, glancing about first to make sure no one he knew was watching a general on foot beside his own horse. He allowed himself a stopover at the College at Landiguda, ostensibly to rest, in fact to work through a fair portion of the idlis, and pressed on, reaching Koraput about two hours after setting out — sweating, saddle-sore, and still, remarkably, undeterred.
Koraput itself, when it arrived, was a great deal bigger and a great deal less obliging than Ambi's imagination had prepared him for. He made enquiries — of a paanwallah, of two schoolboys who did not know, of an old man who sent him confidently in the wrong direction — before finally locating, well beyond the railway terminus, a mid-sized government bungalow that answered to the name of Mr Dasarathan, whom Ambi now understood, from the size of the compound and the gravity of the gate, to be rather more than an ordinary government officer — a senior man of the IAS cadre, no less, which explained a good deal about the compound wall and rather less about why nobody was at home.
At the gate stood a security guard of the school that regards twelve-year-old boys on borrowed bicycles as a category requiring firm handling. Ambi, drawing himself up to his full and modest height, announced his business with what he hoped was official gravity.
"I have come to see Nandini. Dasarathan Sir's daughter."
The guard looked him over — the bicycle, the boy, the general absence of any accompanying adult — with the unhurried scepticism of a man who had seen a great many things arrive at that gate and very few of them worth the trouble. "Who has sent you?"
"No one has sent me," Ambi said, which was, if nothing else, the truth. "I have come myself."
"From where?"
"Sunabeda."
The guard considered this piece of information for a moment, as though weighing whether it changed anything. It did not appear to. "Dasarathan Sir left this morning. Malkangiri. Flood relief."
Ambi absorbed this, and rallied. "And Madam? And—" he hesitated fractionally over the name, "—Nandini?"
"Gone to Rayagada. Wedding in the family." The guard delivered this second fact with no more ceremony than the first, and looked, if anything, faintly entertained by the boy's evident deflation — two short sentences, and the entire architecture of the morning lay in ruins on the gravel.
Ambi stood at the gate for a moment absorbing the scale of the anticlimax. Somewhere in the calculation that followed, a small, practical, entirely unheroic thought surfaced and would not be talked back down: Rayagada was a further stretch again, in the opposite direction, and even a boy in the grip of certainty that God had made Nandini for him could recognise, on reflection, that there were limits to what a single pair of legs owed to divine intervention in one day. He had cycled about two hours, up a road he had grievously underestimated, powered by idlis and unfounded confidence, to arrive at a locked gate and a guard who regarded the whole affair as a minor and faintly amusing interruption to his afternoon. There was nothing further to be done. There was no appeal to be lodged. He turned the bicycle around.
The ride back was a different undertaking altogether from the ride out. The slopes that had felt like a glorious obstacle course on the way up felt, on the way back, like a personal grievance. The idlis were long gone, and so was the confidence that had accompanied them. Somewhere on that road Ambi composed, and discarded, several explanations he might offer Chella for his lateness and his evident exhaustion, none of which survived his own scrutiny any better than his speech to Nandini had survived the guard's two sentences. In the end he decided, correctly, that the safest account of a picnic that never happened was the shortest one.
He reached home a little after five in the evening — tired, sore, thoroughly deflated, and considerably older, in some small private way, than he had been at ten that morning. Chella, seeing the state of him, put it down to an overlong day's play with friends who had evidently run him ragged, and did not enquire further. Ambi did not correct her.
He never saw Nandini again. The township's roster of visiting families turned over, as such rosters do, and Mr Dasarathan's transfer, when it eventually came, took him to some other district headquarters that Ambi never learned and never asked after. What remained — for a good while afterward, and perhaps, in some quiet corner, still — was a canary yellow pavadai in the corner of a darkened hall, and the memory of a morning when a twelve-year-old, entirely on his own authority, decided the matter was worth two hours up a mountain, and found out, the way these things are usually found out, that it wasn't his to decide.
The Hillranger writes from Dharmarajapuram, where a Royal Enfield now does the climbing Raman's bicycle once did, and where certainty, at any age, still occasionally rides off a great deal further than the facts can carry it.